It was surreal, as if they had stepped into an adjoining room. Were they sharing a private joke? Showing off? Or maybe their brains are just linked after 13 years of sharing the bandstand.
A few observations: Marsalis has a massive sound; he doesn’t need to get anywhere close to a microphone to be heard. Also, he makes the saxophone sound like a woodwind; there’s this rich woodsy-ness to his tone. His delivery is urgent and beautiful. Ditto for bassist Eric Revis. Every note that he plays is a gem — fat tone, perfect pulse, like Jimmy Garrison. He never overplays; he seems to arrive at each note inevitably, as if it is the result of long, silent consideration.