press

Publication: CityBeat
Author: Brian Baker
Date: November 28, 2012

The brothers Marsalis are an interesting study in dichotomy. Wynton, the younger, is an absolute giant in the Jazz community and he has no qualms about his genre elitism, vociferously and famously proclaiming the need to maintain Jazz’s purity and sanctity and rejecting anything outside of his definition (although he teamed up with Eric Clapton for an excellent Blues/Jazz hybrid concert at Lincoln Center last year and with Willie Nelson and Norah Jones for a Ray Charles tribute in 2009).

Branford, the elder, who has a doctorate in music, views music through a much broader lens, embracing Pop, Jazz, Classical and anything in the vicinity, which has led to a long association with Sting, a brief stint as Jay Leno’s bandleader on The Tonight Show and sessions and gigs with artists as varied as Miles Davis, Bela Fleck, Harry Connick Jr., Dave Matthews Band and the Dead.

When the question is posed as to the reason for the brothers’ stylistic divergence, Branford Marsalis has a ready, if not totally enlightening, answer.

Read more »

Publication: Cincinnati Enquirer
Author: Janelle Gelfand
Date: November 25, 2012

Branford Marsalis may be best known as the former music director and bandleader for NBC’s “The Tonight Show with Jay Leno” in the 1990s. But his artistry runs much deeper.

He’s a member of a distinguished New Orleans jazz dynasty that began with his father, pianist Ellis Marsalis. Branford, a saxophonist and the oldest of his siblings – who include trumpeter Wynton, trombonist Delfeayo and drummer Jason – established his reputation while still a student at the Berklee College of Music, working with jazz luminaries Art Blakey, Lionel Hampton and Clark Terry.

Since then, he’s appeared with a who’s-who of jazz giants. He has also partnered with musicians as diverse as Sting, the Grateful Dead, and the hip-hop group Public Enemy. The Grammy Award-winner founded his own record label a decade ago, and records with his own Branford Marsalis Quartet.

The other side of this artist is that he is as comfortable discussing Shostakovich as he is Miles Davis.

Marsalis made his debut with the New York Philharmonic in 2010, the same year that his score for the 2010 Broadway revival of August Wilson’s “Fences” earned a Tony Award nomination for “Best Original Score Written for the Theater.” He has appeared as a soloist with orchestras around the world in music by composers such as Copland, Debussy and Darius Milhaud.

This year, Marsalis is a creative director for the Ascent Series for the Cincinnati Symphony Orchestra. Read more »

Publication: Pasatiempo
Author: Paul Weideman
Date: October 12, 2012

This album opens with pianist Joey Calderazzo’s “The Mighty Sword.” He and soprano saxophonist Branford Marsalis trade leads over a dynamite rumbling-strings, symbal-crashing foundation by bassist Eric Revis and new drummer Justin Faulkner - he joined three years ago, while Revis and Calderazzo go back with Marsalis to 1997’s Music Evolution. The leader said they could have done the Four MFs program in one day, as things used to be done at Blue Note Records, but those were often simple blues laid down like jam sessions. “The tunes on this record are very difficult, but we are tight enough to make them sound easy, ” Marsalis says on his website. “The difference is that we are a working band.”

Read more »

Publication: Des Moines Register
Author: Joe Lawler
Date: November 11, 2012 

“It was great to see your concert.” Branford Marsalis hears that kind of compliment regularly, and as a musician, it used to perplex him a bit — that people were there to see him, not to hear him.

But now he understands that people listen to records but want to see a performer live on stage, and he wishes more jazz musicians would take that to heart.

“People hear with their eyes,” Marsalis said during a phone interview. “You watch a lot of jazz musicians play now, and they don’t look like they’re into it. Someone will finish a solo and stare at their nails while another guy is soloing. I’m not talking about a dance show, but just sitting around doesn’t really suit what we’re trying to do.”

Marsalis said his quartet doesn’t plan out what it is going to do on stage. When pianist Joey Calderazzo stands up while performing, it’s because he’s feeling it in a song. When drummer Justin Fauklner gets his arms and legs moving like crazy, it’s to make sure the music is moving at the proper beat. But it’s a lot more entertaining to watch than four men calmly playing their instruments. Read more »

Publication: Omaha World-Herald
Author: Todd von Kampen
Date: November 10, 2012

Three numbers into a brilliant 90-minute set Friday night, Branford Marsalis had a confession to make: The saxophonist and the rest of his jazz quartet hadn’t played together since September.

Their so-called rust hardly showed, but the foursome’s considerable musical skills account for only part of the reason. The rest of their formula reflected what Marsalis’ brother Wynton once famously told documentary master Ken Burns: At its best, jazz amounts to an ongoing dialogue among musicians, with their instruments as the voices.

Branford and his mates gave the Holland Performing Arts Center audience a master class on the subject. They played only eight identifiable pieces (including Duke Ellington’s “It Don’t Mean a Thing” as the encore), but as Marsalis explained: “All we do is take our time. No rush.” Read more »

Publication: WHYY Newsworks
Author: Jen A. Miller
Date: November 7, 2012

In August 2005, Michael Kline and his son packed up their belongings and drove straight through the night from New Orleans to Cape May, N.J.

The morning after they arrived in N.J., Hurricane Katrina slammed into New Orleans. 

“Maybe I’m bringing them with me,” he said after living through both Hurricanes Irene and Sandy in Cape May, where Kline had spent his childhood summers and lived full time from 1983 to 1992.

He also hopes he’ll bring some positive New Orleans history and flavor to the Jersey Shore with the first Exit Zero International Jazz Festival, which will take place in Cape May this weekend.

While the town was largely spared Sandy’s wrath, the musicians playing in the festival have not. Read more »

Publication: Omaha World-Herald
Author: Kevin Coffey
Date: November 8, 2012

The last time Branford Marsalis was in town, he stopped in to jam with some friends.

The time before that, the jazz master helped open the Holland Performing Arts Center.

On Friday, Marsalis and his quartet will come back to the venue to play music from his new album, “Four MF’s Playin’ Tunes,” as well as old favorites.

“We go all over the place. It depends on the audience, what they can listen to,” he told The World-Herald. Read more »

Publication: JazzTimes
Author: Bill Milkowski

 To say that Branford Marsalis is forthcoming is an understatement. In an age when athletes, politicians and public figures have all been schooled in the art of saying nothing but innocuous platitudes intended to offend no one and reveal nothing, the three-time Grammy winner unapologetically speaks his mind. A veritable quote machine, he spews pointed statements like a verbal Gatling gun.

Being approachable, talkative and extremely opinionated makes Marsalis an ideal interview subject. Essentially, all you have to do is press the “record” button, toss in an occasional query, stand back and let him roll. And he never disappoints. Ask him anything and the ideas—grounded in logic, full of intelligence and wit and brimming with a daredevil disregard for the run-of-the-mill—come cascading off his tongue without hesitation, like his much-vaunted tenor and soprano sax playing.

On the day of this phone interview, the eldest of the five Marsalis brothers was at his home in Durham, N.C., preparing for a classical recital at the Beethoven Festival in Winona, Minn. His new quartet outing, the wryly titled Four MFs Playin’ Tunes (Marsalis), had just come out. Read more »

Publication: DANSR.com
Author: Sean Packard
Date: November 2, 2012

NEA Jazz Master and Grammy Award®-winning saxophonist Branford Marsalis has established himself as a world class artist – both jazz and classical, as a bandleader, composer, and as head of the Marsalis Music Record Label.  Marsalis leads one of the finest jazz quartets today, and performs frequently as a classical soloist with the Chicago Symphony Orchestra, the Boston Pops, and the New York Philharmonic.   Read more »

Publication: Nippertown!
Author: J Hunter
Date: October 19, 2012

BRANFORD MARSALIS QUARTET
Four MFs Playin’ Tunes
(Marsalis Music)

“Nothing to see here; everything’s under control.” That’s the underlying message of the title to the first Branford Marsalis Quartet disc without longtime drummer Jeff “Tain” Watts. That’s a big loss to the bottomless musical hive-mind that is the BMQ, but between their rip-snorting Proctors show in February and the cockeyed bop that drives MFs whirling opener “The Mighty Sword,” it sounds like 20-year old wunderkind Jason Faulkner has been assimilated just fine, thank you very much. He bubbles and bashes and bangs, while volcanic pianist Joey Calderazzo shows he’s light-years from the time when he was “that new guy” who replaced the late Kenny Kirkland. Read more »