Harry Connick Jr

Publication: Lexington Herald-Leader
Author: Walter Tunis
Date: December 12, 2011

How curious it is that three of the finer releases in an especially weak pack of new holiday recordings belong to jazz pianists whose take on yuletide sounds could not be more varied?

Pianist Harry Connick Jr.’s Music From The Happy Elf may be the most unexpected of the three. A veteran of several Christmas-themed recordings that showcase his big band and traditional (as well as overtly commercial) pop preferences, Elf presents the pianist in one of his most inviting and overlooked settings: the piano trio.

It’s hard not to smile at the percussive cracks of drummer Arthur Larkin and Connick’s sparse piano mischief during Naughty Children of Bluesville (which sounds like O Tannenbaum trying to escape from a blues cellar) or the way the light, lullaby turns of Christmas Day melt into the intimate swing of What a Night.

Music From The Happy Elf is, aside from a 10-minute opening medley with narration, completely instrumental. Add to that the fact that all of the music is original (but revisited from works Connick composed for the stage musical The Happy Elf) and you have a holiday recording risky and refreshing. Read more »

Publication: JazzWeekly.com
Author: George Harris
Date: December 8, 2011

There’s just something about Harry Connick Jr. that you just gotta love. He’s got great musical instincts, and a heart for service, as he’s shown by his unrelenting assistance for NO post Katrina. Here, he’s put together a disc that serves as a companion to his children’s book, just in time for the Christmas Season. The disc begins with Connick telling the story from the book, with background music supplied by himself and his regular team of Arthur Latin/dr and Neal Caine/b. After that, it’s strictly instrumentals, with the remaining dozen tunes spotlighting Connick’s clever writing skills, as well as his impressive chops. Read more »

Publication: Chicago Tribune
Author: Howard Reich
Date: December 6, 2011

It’s a Christmas miracle: Holiday music that’s actually worth hearing.

For reasons unknown, several major jazz artists have released seasonal recordings that don’t merely recycle music we’ve already been inundated with in the shopping mall. The best of these albums transcend cliché:

Harry Connick, Jr. Trio: “The Happy Elf” (Marsalis Music): Singer-pianist Connick penned the songs for the stage musical “The Happy Elf,” and here he reformats the score for a noble purpose: introducing young listeners to jazz. Connick narrates the tale in the opening track (which runs a little over 10 minutes), his jazz trio swinging in the background. After that, the album offers 12 tracks of unadulterated instrumental jazz, the music at once subtle and sophisticated enough for the connoisseur yet easily accessible to uninitiated ears. If young people are wooed by Connick’s opening recitation, perhaps they’ll let the record keep spinning. Here’s hoping. Read more »

Publication: Downbeat
Date: December 5, 2011

Read the rest of Downbeat’s picks for holiday music here.

Harry Connick Jr. Trio: Music From The Happy Elf (Marsalis Music)
Music From The Happy Elf is a twofer. If you’ve got young children or grandchildren, The Happy Elf starts off with Connick reading his children’s story about Eubie, the happiest elf on the North Pole, with a sweet backing track by his trio. After that, you’ve got 13 Connick-penned tunes with some nice improvisation. With Neal Caine on bass and Arthur Latin on drums, the trio works out jazz instrumental versions of music written for the stage musical version of the book. And, for the first time, the music and the story are available in one neat holiday package. Read more »

By Bill Capo
Eyewitness News
August 25, 2011

NEW ORLEANS — There was a standing room only crowd, with actress Renee Zellweger in the audience, for the dedication of the new Ellis Marsalis Center for Music, the centerpiece of Habitat for Humanity’s Musicians Village project in the Ninth Ward.

Harry Connick Jr. and Branford Marsalis played key roles in developing the Musicians Village, and the center, but as performers, they called this hall acoustically perfect.

“You’re in the middle of the Upper 9th Ward,” said Connick.  “You’ve got the highest level of state-of-the-art technical facility here. it is like all these worlds coming together.”

“You could bring a string quartet in here, and they could play without one shred of amplification, and everybody in here could hear every note in here regardless of the volume,” raved Marsalis.

“You could also bring Dr. John in here with his full band, and people would love every minute of it.”
Read more »

THE TMES PICAYUNE/ NOLA.com
August 27, 2011
By Keith Spera

Two days before Thursday’s official unveiling of the Ellis Marsalis Center for Music, I asked Harry Connick Jr., a driving force behind its creation, if he felt like an expectant father.

Thursday, August 25, 2011
By Keith Spera
The Times-Picayune

On Wednesday afternoon, Harry Connick Jr. and Branford Marsalis kicked the proverbial tires at the Ellis Marsalis Center for Music, the new, multimillion-dollar arts, educational and community center in the upper 9th Ward’s Musicians’ Village.

They jokingly checked under classroom desks for gum. They strode the dance studio’s wood floor. They demonstrated the 1.5-millisecond echo in the 150-capacity, acoustically engineered performance hall.

Had such a facility existed when he was a boy, Connick marveled, “I would have been here every day.”

The Ellis Marsalis Center for Music, named for Branford’s father, the storied jazz pianist and educator, officially opens today with a private celebration.

Gov. Bobby Jindal and Mayor Mitch Landrieu are expected to speak. Connick, the senior Marsalis, and Branford and several of his siblings are slated to perform.
Read more »

Publication: The Guardian.co.uk
Author: John Fordham
Date: May 5, 2011

This unexpectedly quirky live get-together by the Marsalis family, with Harry Connick Jr among the guests, was caught at the Kennedy Center to commemorate the patriarch, pianist and educator Ellis Marsalis’s receipt of a lifetime achievement award. It’s also a fundraiser for the new Center for Music bearing his name in New Orleans, and was made to coincide with the fifth anniversary of Hurricane Katrina’s assault on the family’s home town. All those honourable motivations might have turned the gig into a restrainedly respectful affair, but in fact it’s a hoot – Read more »