Best jazz CDs of 2011

Publication: Mercury News
Author: Richard Scheinin
Date: December 28, 2011

Miguel Zenón: “Alma Adentro/The Puerto Rican Songbook” (Marsalis Music). The most gorgeously fluid alto saxophonist to come along in a while, Zenón is our Cannonball Adderley. This album is state-of-the-art romanticism, with an edge.

Click here to read Richard’s other picks for the best jazz of 2011. Read more »

Submitted by Bobby on December 29th, 2011 — 11:35am

Miguel Zenón, The Puerto Rican Songbook

Publication: Voice of America’s Jazzbeat
Author: Diaa Bekheet
Date: December 26, 2011

To listen to Diaa Bekheet’s interview with Miguel Zenón, please visit the Voice of America website here.

One of the great jazz albums of 2011 is Alma Adentro: The Puerto Rican Songbook. It’s a brilliant idea by acclaimed saxophonist Miguel Zenón to preserve the early 20th century’s jazz heritage of his native Puerto Rico. The album is modeled on The Great American Songbook, which features an entire century of American music from such masters as Gershwin, Berlin, Porter, Kern, Rodgers and Hammerstein, Bernstein and others. Zenón follows the footsteps of such great American composers and songwriters to offer the jazz public some of the 20th century’s best songs that represent the sounds of Puerto Rico. Read more »

Submitted by Bobby on December 27th, 2011 — 12:41pm

Went on a bender, wrote a year-ender (My best-of-2011 jazz lists)

Publication: Ottawa Citizen Jazzblog
Author: Peter Hum
Date: December 20, 2011

Top jazz CDs of 2011:

1. Milestone, Adam Cruz (Sunnyside)
2. When the Heart Emerges Glistening, Ambrose Akinmusire (Blue Note)
3. Alma Adentro: The Puerto Rican Songbook, Miguel Zenón (Marsalis Music)
4. A Night at the Village Vanguard, Bill Carrothers Trio (Pirouet)
5. Graylen Epicenter, David Binney (Mythology)
6. Waking Dreams, Chris Dingman (Between Worlds Music)
7. Lines of Oppression, Ari Hoenig (Naive)
8. Verge, David Braid (Independent)
9. Suno Suno, Rez Abassi’s Invocation (Enja)
10. James Farm, James Farm (Joshua Redman, Aaron Parks, Matt Penman, Eric Harland) (Nonesuch)

To read Peter’s picks for live performances, honourable mentions, piano-centric albums, Canadian jazz CDs, and noteworthy debut CDs, please visit his Jazzblog. Read more »

Submitted by Bobby on December 21st, 2011 — 01:22pm

Live preview: Branford Marsalis

Publication: Time Out New York
Author: Hank Shteamer
Date: December 16, 2011

Chances are your parents know who Branford Marsalis is. A trivial point? Maybe, but it’s still not something you could say about many living jazz artists aside from Branford’s trumpet-playing younger bro, Wynton. What can be frustrating is that Branford the celebrity—one fourth of a postcard-perfect Big Easy musical brood, featured commentator in Ken Burns’s Jazz opus, and former sidekick to both Sting and Jay Leno—tends to obscure Branford the artist. This concert is a good occasion to celebrate the latter, a saxophonist who released Songs of Mirth and Melancholy, one of 2011’s most captivating albums in any genre.

To peg that record—a series of duets with pianist Joey Calderazzo, who joins Marsalis for half of this performance—as jazz would sell it way short. Songs gets its mirth out of the way quickly with “One Way,” the bluesy romp that opens the disc; from there, it’s on to roughly 40 minutes of melancholy: seven extraordinarily patient, uncommonly moving examples of what you might call improvisation-driven chamber music. Sometimes mournful (Calderazzo’s “La Valse Kendall”), sometimes eerie (Wayne Shorter’s “Face on the Barroom Floor”), sometimes just plain wrenching (“Hope,” also by the pianist), the set leaves you feeling spent, amazed and anxious to proselytize the virtues of the real Branford Marsalis.

Appropriately, the second pianist appearing alongside Marsalis at tonight’s all-instrumental “A Duo of Duos” program is Harry Connick Jr., another player whose pop fame (see When Harry Met Sally) overshadows his hard-earned, wide-ranging virtuosity. Read more »

Submitted by Bobby on December 20th, 2011 — 11:09am

2011 jazz round-up

Publication: Dark Forces Swing Blind Punches
Author: Hank Shteamer
Date: December 19, 2011

To check out Hank’s full list of picks for the best jazz of 2011, visit his blog here.

1.Branford Marsalis/Joey Calderazzo Songs of Mirth and Melancholy (Marsalis Music)

As you can see from my 2011 jazz halftime report, published back in June, this one grabbed me early on. Now that the year is winding down, I’m happy to report that it didn’t let go. There’s no embeddable stream of this record, but I implore you to sample it here, especially the tracks “Endymion,” “Face on the Barroom Floor” and “La Valse Kendall.” When mentioning my interest in this album to friends, I’ve received a few raised eyebrows, which pains me. As I discuss in a Time Out NY preview of Marsalis January 9, 2012 “A Duo of Duos” gig at Jazz at Lincoln Center (during which he’ll perform with both Calderazzo and Harry Connick, Jr., the latter of whom won’t be singing), Marsalis’s celebrity still overshadows his art. It’s a trite point at this stage, but the prejudices persist: He’s the saxophone player your mom likes.

And I’m not trying to say that moms wouldn’t love Songs of Mirth and Melancholy. But what I am trying to say is that this is an extremely deep record. There’s so much grace and poetry to this session. Read more »

Submitted by Bobby on December 20th, 2011 — 11:32am