Zenón's Alma Adentro Receives Grammy Nomination!

We are so proud to announce that Miguel Zenón’s Alma Adentro: The Puerto Rican Songbook received a Grammy nomination for Best Large Jazz Ensemble Album last night! Congrats to Miguel and all of the musicians involved with the album. Full list of Grammy nominees here.

Submitted by Bobby on December 1st, 2011 — 11:57am

The sounds of Christmas are upon us!

Publication: Louisiana Weekly
Author: Geraldine Wyckoff
Date: November 21, 2011

Harry Connick, Jr. Trio
The Happy Elf
(Marsalis Music)

With a cover decked out with all the bells and whistles of a holiday album directed at children – an illustration of a plump Santa Claus, a Christmas tree and smiling elves – one would naturally presume that Harry Connick, Jr.’s CD, The Happy Elf , was filled with music for toddlers. However, that’s not quite the case. The release does stand as a companion disc to the noted pianist and vocalist’s picture book for kids of the same name. Musically, however, it goes beyond hum along tunes for the younger set.

The album begins with Connick narrating The Happy Elf book, that has also been produced as a stage musical. The tale of the kind elf who was just crazy about Christmas could act as a heart-warming, Yuletide bedtime story for children. The first cut, also dubbed “The Happy Elf,” follows through in spirit with its joyful and danceable demeanor. Connick and his trio with part-time New Orleans resident, bassist Neal Caine and long-time drummer Arthur Latin, playfully sleigh ride into a jazz mode that can engage parents and children alike. Importantly, it, like the following, easy-going “Santarrific” doesn’t play down to the kids. Rather the tunes act as an introduction to jazz and blues that could, hopefully, lead to a love of the music. Read more »

Submitted by Bobby on November 30th, 2011 — 10:30am

Harry Connick Jr. gets his Christmas groove on

Publication: Indianapolis Star
Author: Jay Harvey
Date: November 28, 2011

Critics tend to turn sour (I know: How can anyone tell, right?) when they  reread news releases just before setting down their own thoughts on one or another Cultural Product. Videlicet: I wish Marsalis Music hadn’t called Harry Connick Jr.’s “Music from The Happy Elf” CD “ a “new instrumental holiday classic. ” True, Connick’s story about Eubie has a back story that indicates success, including use of the material to inspire a Christmas TV special and a stage musical. Now it’s a picture book, too, and the CD opens with Connick doing a spirited “read-along” version of “The Happy Elf” before he and his trio settle into a lively program of the tunes Connick created for the show.

But I come to praise this CD, not to bury it. The music on its own makes for a great introduction to jazz for young people — as catchy as Vince Guaraldi’s fabled “Charlie Brown Christmas” tunes, but a bit rangier in the improvised portions. Connick has come up with something infectious rhythmically or melodically in these dozen tunes. Read more »

Submitted by Bobby on November 29th, 2011 — 05:57pm

Kickin' out yuletide jams: Holiday CDs range from the wonderful to the bizarre

Publication: The Detroit News
Authors: Susan Whitall & Adam Graham
Date: November 29, 2011

“The Happy Elf,” Harry Connick Jr. Trio (Marsalis Music)

This companion disc to Connick’s picture book of the same name published by Harper Collins (not to mention, the “Happy Elf” musical) is a winsome album of piano trio jazz with the add-on of a spoken-word track. On it, Connick (the father of three) tells the story of the “happy elf” who figures out how to help Bluesville, a town full of children who are all too naughty for presents from Santa. Accompanied by bassist Neal Caine and drummer Arthur Latin, Connick doesn’t sing, but plays in the Nat King Cole trio style, with an extra emphasis on bluesy improvisation on the 11 songs he wrote. His piano work is particularly evocative on the melancholy “Christmas Day.” GRADE: A- Read more »

Submitted by Bobby on November 29th, 2011 — 12:57pm

Marsalis and TSO play it hot, and straight

Publication: The Globe and Mail
Author: Robert Everett-Green
Date: November 24, 2011

Toronto Symphony Orchestra

  • Branford Marsalis, saxophone
  • Andrey Boreyko, conductor
  • At Roy Thomson Hall in Toronto on Wednesday

The last wind instrument to become a permanent part of the standard orchestra was the clarinet, in the mid-1700s. Membership in the club had closed by the time the saxophone showed up a century later.

Various composers, impressed by the sax’s wide compass and range of tone, have brought it into the orchestra as a guest, often an exotic one. Just about every major composer working during the 1930s had a fling with the saxophone, which by then had developed a racy career as a jazz instrument.

On Wednesday, the TSO played two short alto sax concertos from that period, one with strings and relatively straight, the other with winds and flavoured with ragtime. The soloist was Branford Marsalis, a much celebrated jazz musician who over the past decade has built up his repertoire of sax concertos with orchestra.

Submitted by Bobby on November 28th, 2011 — 03:30pm