Branford Marsalis News

Branford Marsalis + "Treat It Gentle"

Publication: The Revivalist
Author: Eric Sandler
Date: August 6, 2012

Today we are extremely excited to release the video for “Treat It Gentle” from the Branford Marsalis Quartet’s new release Four MFs Playin’ Tunes, out 8/7 on Marsalis Music. The song, featuring influence from the great Sidney Bechet, captures the recording process for the song while encompassing amazing performances from Marsalis, Justin Faulkner, Joey Calderazzo, and Eric Revis.

Moreover, we are bringing you an in-depth interview with Branford Marsalis to bring together the story of the album as well as his thoughts on jazz music today. Whether you agree with him or not, it’s hard to fight the sheer intellect and experience with which Marsalis speaks. Read on to delve into the alway engaging insights of Mr. Marsalis.

Visit The Revivalist to view the video for “Treat It Gentle.”

We are releasing your video for “Treat It Gentle” today. Can you tell me about the process of recording and how that song came together on the record?

It’s a song that I wrote last summer. I’d been listening to a bunch of Sidney Bechet and I just wrote it in my head. A couple of songs that we wanted to put on the record didn’t sound very good; they didn’t work out well. So I just said, “Oh, I’ve got this song that I wrote.” They asked where it was, but I hadn’t written it out so I took 20-minutes and wrote out the changes for them.

You are very focused on the songs with this record. How important was the songwriting process and reaching the emotion with each song?

Well the songwriting isn’t really important; the song is important. I don’t have this obsession with writing my own material. A lot of guys want to be called composers, you know. But if you’ve ever read a score by Mahler or Wagner, you would know for a fact that I don’t compose, I write tunes. Read more »

Submitted by Bobby on August 8th, 2012 — 05:14pm

Branford Marsalis Quartet - Four MFs Playin' Tunes (2012)

Publication: Something Else!
Author: Nick DeRiso
Date: August 4, 2012

f you’ve often felt that saxophonist Branford Marsalis’ studio recordings failed to reflect the intensity and humor of his live appearances, this MF is for you.

Four MFs Playin’ Tunes, due on August 7, 2012 from Marsalis Music, telegraphs its almost offhanded sense of straight-ahead propulsion right in its very title — a humorous suggestion from the eldest of the Marsalis family of jazz performers that ended up sticking. Featured are a string of original band compositions, along with two covers — one from Thelonious Monk (“Teo”) and another dating back to the 1930s (the Sidney Bechet bonus track). Along the way, Marsalis and Co. have captured the fervor of a classic blowing-session — starting with the album’s percolating opener “The Mighty Sword,” and not often letting up through eight subsequent tracks.

“Brews” is somehow both blues and textural, even while sneaking in a few Rollins-ish quips. “Whiplash” lives up to its billing, with a rhythm that rumbles along like a rising summer storm amid an exhilarating series of runs from Marsalis. Then there’s “Teo,” with its classic downtown-traffic stops and starts.

That’s not to say Marsalis hasn’t retained his gentle way with a ballad.

He unfurls an eloquent romanticism on soprano during “As Summer Into Autumn Slips,” explores a deeply emotional place on “Maestra” and then switches to a frisky but yet still honeyed tenor for “My Ideal.” Marsalis tips a hat to his roots as a New Orleans native too, both with the briskly imaginative “Endymion” (one of the signature krewes in the annual Mardi Gras parades) and, of course, with the smooth yet distinctive Bechet number.

But there’s no less a sense of focus, no less a sense of commitment. By the time it’s over, Four MFs Playin’ Tunes has through sheer force and wit finally captured the winking intelligence — really, the loose sense of serious fun — that’s always been part of Marsalis’ stage show. Read more »

Submitted by Bobby on August 8th, 2012 — 02:08pm

Branford Marsalis Quartet – Four MFs Playin’ Tunes – Marsalis Music vinyl or CD – Marsalis Music

Publication: Audiophile Audition
Author: Robbie Gerson
Date: August 2, 2012

Superlative jazz album…digital or vinyl.

With a resume as varied as Branford Marsalis, there is a world of inspiration to influence his musical journey. He has played with Dizzy Gillespie, Miles Davis, Sting, Bruce Hornsby, Shirley Horn, Bela Fleck, Horace Silver, Roy Hargrove and many, many others. His family is the closest thing to jazz royalty, and have always represented the best of New Orleans. But for the latest release by his quartet Four MFs Playin’ Tunes, his focal point originated from a comment from legendary band leader/mentor Art Blakey. When asked to describe jazz in one word, Blakey retorted… ”intensity, intensity, intensity”.

The Branford Marsalis Quartet used this mantra in their newest release. Returning are Marsalis (soprano and tenor saxophone), Joey Calderazzo (piano) and Eric Revis (bass). Justin Faulkner, the youngest member (who joined in 2009) takes over on drums. In a divergence from usual marketing, a double-disc 180-gram audiophile album was released in April to coincide with National Record Day. [Not 45 rpm but spread-out grooves…Ed.] Now there is also an audio CD, and fans of either digital and analog music can get a wonderful dose of great jazz. As the opening Latin-tinged piano chords ring on “The Mighty Sword”, the inherent cohesion among these talented musicians is exceptional and drives the music. The opening track, “The Mighty Sword”, Marsalis slides in gracefully with his trademark soprano. Chemistry may be an overused description in music, but not here. Newcomer Justin Faulkner is a furious drummer and keeps the hard bop intensity going. Calderazzo delivers a brilliant, percolating solo. Marsalis follows with another compelling run. On the next track (“Brews”) a bluesy urban vamp (almost West Side Story) features an ensemble that intermingles fearlessly. The transition into a grittier aesthetic is seamless. The sound of the group is fresh and original. After another superlative piano solo, bassist/composer Eric Revis adds a loping bass before the piece morphs back to its initial melody. Read more »

Submitted by Bobby on August 8th, 2012 — 10:22am

Branford Marsalis Quartet, 'Four MFs Playin' Tunes'

Publication: Boston Globe
Author: Siddartha Mitter
Date: August 7, 2012

That sure is a silly album title — it’s amusing now, but how will it sound some years down the line? This is an issue because “Four MFs Playin’ Tunes” may have some staying power: a tight set of well-slung tunes that show the elements of a classic quartet outing in nice balance. In recruiting 20-year-old Justin Faulkner to the drummer’s chair, Branford Marsalis injected his quartet with fresh spirit; a lithe, quizzing dialogue between Faulkner and pianist Joey Calderazzo prevails throughout, and especially on the second half of “Whiplash,” the energetic centerpiece. A spiffy take on Thelonious Monk’s “Teo” and a lovely Sidney Bechet homage, “Treat It Gentle,” establish lineage; other highlights include an angular blues, “Brews,” by bassist Eric Revis, and Calderazzo’s searching ballad “As Summer Into Autumn Slips.” The album’s approach is familiar, conservative perhaps, but the music has soul — particularly when Marsalis wields the soprano sax — and the net effect, title aside, is wholly satisfying. Read more »

Submitted by Bobby on August 8th, 2012 — 10:59am

Branford Marsalis Quartet: Four MFs Playin' Tunes (Marsalis Music)

Publication: Burning Ambulance
Author: Phil Freeman
Date: August 7, 2012

Since the dawn of the millennium, Branford Marsalis‘s quartet has been steadily turning out albums that, without ever making landmark statements, nevertheless push restlessly against the strictures of modern jazz. In a way, this album, which introduces new drummer Jason Faulkner, is a bookend to the group’s first release, 2000′s Contemporary Jazz, which introduced pianist Joey Calderazzo to the lineup following the death of Kenny Kirkland, who’d worked with Marsalis (and his brother Wynton) since the 1980s. Like Contemporary Jazz, its title—Four MFs Playin’ Tunes—is an emphatic statement of purpose not unlike Ornette Coleman‘s This is Our Music or Thelonious Monk‘s Monk’s Music.

The actual music offers a similar line-in-the-sand challenge to the listener. Four MFs begins with three straight pieces featuring Marsalis on soprano saxophone, an instrument that can ruin a jazz record quicker than any other (even the bagpipes are better—seek out the work of Rufus Harley). Still, it must be said that Marsalis’s voice on the soprano is instantly identifiable, and more enjoyable than many of his squawking, squiggling, circular-breathing peers. And the band behind him is terrific. Calderazzo is a McCoy Tyner-ish pianist, spinning out baroque swirls of notes with a lightning-fast right hand; Eric Revis‘s bass is thick and human, always bolstering and almost never intruding; and Faulkner is a ferocious drummer, slamming the kit around with the fury and boundless energy that only a 20-year-old can muster. But for all the ballistic power he displays on burnout tunes like “Whiplash,” he’s just as willing and able to pull back and sensitively accompany a ballad like “As Summer into Autumn Slips” (another soprano tune, but, again, a forgivable one given the beauty of Marsalis’s handling of the melody). Read more »

Submitted by Bobby on August 8th, 2012 — 09:35am