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Harry Connick, Jr. – Music From The Happy Elf

Publication: The JazzPage
Author: Glenn Daniels
Date: December 9, 2011

If you’ve turned on a television any time during the yuletide season in most of the last decade, you’ve probably caught a glimpse of The Happy Elf animated special. Pianist and vocalist Harry Connick Jr is out with a collection of the music from that production, for which he created the original music. The tunes which accompany the story of Eubie, an ebullient little elf who wants to be part of Santa’s sleigh team is now released for the first time in an album package. Connick provides a colorful narrative reading with music at the beginning of project, but it’s his evocative piano work that is at the center of this effort. Joining him are bassist Neal Caine and drummer Arthur Latin, both longtime players in his big band. Even with though title and theme are holiday related, the music here is swinging and bluesy enough to enjoy anytime of the year. Read more »

Submitted by Bobby on December 14th, 2011 — 09:38am

Branford Marsalis and Joey Calderazzo – Songs of Mirth and Melancholy - Instrumental supremos

Publication: The Citizen
Author: Bruce Dennill
Date: December 13, 2011

7/10 BRANFORD MARSALIS AND JOEY CALDERAZZO – SONGS OF MIRTH AND MELANCHOLY (UNIVERSAL)

Branford Marsalis had, for many years, the privilege of playing with piano genius Kenny Kirkland.

Collaborating with two talents of that ilk is not something many musicians will be able to boast about, but Marsalis has lucked out: new musical partner Joey Calderazzo is a keyboard wizard.

Calderazzo is a wonderful writer as well – his One Way is the sort of cheerfully complex, melodious stuff that makes the job of the jazz apologist supremely easy. He’s able to feel as well as Marsalis, matching the latter’s The Bard Lachrymose with his own La Valse Kendall. Read more »

Submitted by Bobby on December 14th, 2011 — 09:36am

The best (and worst) music of 2011: Hank Shteamer's picks

Publication: Time Out New York
Author: Hank Shteamer
Date: December 11, 2011

The best albums

1 Frank Ocean, Nostalgia, Ultra (self-released)
To say that this 24-year-old crooner had a banner year would be like labeling the sun a pretty bright star; but even alongside guest spots on Tyler, the Creator’s Goblin and Jay-Z and Kanye’s Watch the Throne, Ocean’s own debut—a challenging, charming, beautifully paced set of indie R&B—stood way out.

2 Anthrax, Worship Music (Megaforce)
Opening for their old-school thrash peers on the Big 4 tour, these NYC veterans drew bottom billing, yet they emerged triumphant on this hook-saturated fist-pumper of a comeback LP.

3 Branford Marsalis and Joey Calderazzo, Songs of Mirth and Melancholy (Marsalis Music)
One of our few household-name jazzmen and his first-call pianist stepped away from their signature quartet and produced a duo session so stately, it felt avant-garde. Read more »

Submitted by Bobby on December 13th, 2011 — 04:15pm

It’s the most jazz-list-y time of the year

Publication: Ottawa Citizen Jazzblog
Author: Peter Hum
Date: December 12, 2011

The jazz punditocracy has been weighing in on top jazz CDs of 2011:

The list from Patrick Jarenwattananon at NPR’s A Blog Supreme skews to the younger end of the jazz talent spectrum. Miguel Zenón (Alma Adentro: The Puerto Rican Songbook) and Gretchen Parlato (The Lost and Found) get nods, for example, for their 2011 CDs, while Sonny Rollins does not, for example. Read more »

Submitted by Bobby on December 13th, 2011 — 11:35am

Critic's picks: Harry Connick, Jr. Trio, 'Music From The Happy Elf'; Ellis Marsalis, 'A New Orleans Christmas Carol'; Geri Allen, 'A Child Is Born'

Publication: Lexington Herald-Leader
Author: Walter Tunis
Date: December 12, 2011

How curious it is that three of the finer releases in an especially weak pack of new holiday recordings belong to jazz pianists whose take on yuletide sounds could not be more varied?

Pianist Harry Connick Jr.’s Music From The Happy Elf may be the most unexpected of the three. A veteran of several Christmas-themed recordings that showcase his big band and traditional (as well as overtly commercial) pop preferences, Elf presents the pianist in one of his most inviting and overlooked settings: the piano trio.

It’s hard not to smile at the percussive cracks of drummer Arthur Larkin and Connick’s sparse piano mischief during Naughty Children of Bluesville (which sounds like O Tannenbaum trying to escape from a blues cellar) or the way the light, lullaby turns of Christmas Day melt into the intimate swing of What a Night.

Music From The Happy Elf is, aside from a 10-minute opening medley with narration, completely instrumental. Add to that the fact that all of the music is original (but revisited from works Connick composed for the stage musical The Happy Elf) and you have a holiday recording risky and refreshing. Read more »

Submitted by Bobby on December 12th, 2011 — 03:58pm