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Branford Marsalis and Terence Blanchard @ Kennedy Center

Publication: DCist
Author: Sriram Gopal
Date: March 28, 2011

Branford Marsalis and Terence Blanchard The Kennedy Center presented a double bill on Saturday evening that showed two very different approaches to modern acoustic jazz. Saxophonist Branford Marsalis and trumpeter Terence Blanchard are both titans of the genre, with strong pedigrees in the musical traditions of New Orleans. Marsalis’s quartet adopted a less structured sound that was more adventurous and challenging, while Blanchard’s quintet dug more into the swing of things and offered more accessibility during its half of the two-and-a-half hour concert. Read more »

New Orleans Jazz: Charles Betts on the addictive music of Harry Connick, Jr.

Publication: Felix Online
Author: Charles Betts
Date: February 28, 2011

New Orleans music is an addiction. Its diversity portrays every emotional state and as the legendary jazz musician Ellis Marsalis puts it, at a time when individualism is becoming an endangered species, the sounds of the Bayou represent a celebration of the individual. Put simply, without it life would be emptier.

Harry Connick Jr. is arguably the city’s most famous living export, having obtained more number-one albums than any other artist in US jazz chart history. He has taken his native music across the globe, to the delight of audiences that stamp and cheer to the joyful noise. He has re-created the next-best thing to Mardi Gras at venues including the Royal Albert Hall in London, the Salle Pleyel in Paris, and on Broadway in New York.
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Harry clowns around with Stephen Colbert

Harry Connick, Jr. appeared on The Colbert Report on March 2 to discuss his new CD/DVD release “Harry Connick, Jr - In Concert On Broadway,” the spirited Mardi Gras atmosphere in New Orleans, his first public performance at five years old, and the important work of the Ellis Marsalis Center for Music. Watch Harry and Stephen clown around together here on The Colbert Report website.

Submitted by Bobby on March 3rd, 2011 — 05:08pm

Pratfalls From Haydn, Swing From Marsalis

Publication: New York Times
Author: Steve Smith
Date: February 18, 2011

Taken at face value, the program that the New York Philharmonic presented on Wednesday evening in Avery Fisher Hall was a curious clutch of disparate works. Still, there was symmetry to the arrangement: two saxophone showcases played with an estimable soloist, Branford Marsalis, both also heard during a Philharmonic concert in Central Park last summer, flanked here by pieces that repurposed viable music from forgotten stage dramas.

There were lessons to be learned from the event. One, obviously, was that any good music can survive the specifics of its provenance.

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Submitted by Bobby on February 28th, 2011 — 03:28pm

Branford Marsalis, Alexander Glazunov, And The Commodores

Publication: Lament for a Straight Line
Author: Jim Macnie
Date: February 23, 2011

Steve Smith says Branford Marsalis brought a “gracious poise” to Glazunov’s “Concerto for Alto Saxophone And String Orchestra” last week at a New York Phil show. A few weeks prior, when I sat down with the five Marsalis men who are working musicians, the subject of growing up with the Glazunov cropped up, too. Patriarch Ellis, a longtime educator and superb jazz pianist, ruminated on the rigors of addressing classical works. And then Branford and brother Wynton weighed in with a quip or two. The entire Q&A is coming out in the April issue of Down Beat, due in two weeks. Here’s part of the piece that had to be edited out for space reasons. Read more »

Submitted by Bobby on February 28th, 2011 — 03:55pm