All press News

Marsalis and Blanchard focus on the new, not the tried-and-true

Publication: TwinCities.com
Author: Dan Emerson
Date: February 27, 2011

Saxophonist Branford Marsalis and trumpeter Terence Blanchard, who led their respective bands Sunday night at Orchestra Hall, don’t seem old enough to have had a 40-year musical relationship.

But that is the case, Marsalis, 50, told the audience. They met as grade-schoolers at a summer jazz camp in their native New Orleans in 1970, and have been collaborators, off-and-on, ever since.

Sunday’s concert featured mostly new compositions by the two bandleaders and their colleagues — a refreshing change, since most Orchestra Hall jazz shows feature tried-and-true standards.

Marsalis opened the show with his quartet, which features two longtime bandmates: pianist Joey Calderazzo and upright bassist Eric Revis. The group’s newest member is young drummer Justin Faulkner. Read more »

Submitted by Bobby on February 28th, 2011 — 03:24pm

Branford Marsalis talks about his new drummer, jazz families, classical music and more

Publication: Minnesota Post
Author: Pamela Espeland
Date: February 25, 2011

The eldest son in a famous clan of jazz musicians, saxophonist/composer/educator Branford Marsalis is enjoying a robust and variegated career. Known mainly as a jazz artist, he is equally at home with classical music and contemporary pop. He spent two years as musical director of “The Tonight Show With Jay Leno” and another two performing and recording with Sting (“Dream of the Blue Turtles,” “Nothing Like the Sun”). He still performs with Sting on occasion.

On Sunday evening, Marsalis will perform at Orchestra Hall with his formidable quartet. (This is not a star-saxophonist-plus-rhythm-section quartet, but an ongoing, provocative, stimulating four-way conversation.) He’ll share the bill with another famous New Orleans native, trumpeter Terence Blanchard, who will bring his quintet to the big stage.  Read more »

Submitted by Bobby on February 25th, 2011 — 05:38pm

Alvin Batiste - Marsalis Music Honors Series (2007)

Publication: All About Jazz
Author: Nick DeRiso
Date: February 13, 2011

People think of clarinets as this sound from a different era, and the guys who play them as having done so in black and white.

The late Alvin Batiste , who initially found his muse in Charlie Parker’s “Now’s the Time,” was never that way. His isn’t a same-ole, same-ole southland sound so much as a retro-fitted bebop update, with period instruments. Later, he dove into Sonny Stitt—and Batiste told me, a few years before his untimely passing, that he never emerged. Read more »

Submitted by Bobby on February 14th, 2011 — 10:02am

NEA Awards Ceremony 2011 Jazz at Lincoln Center


Publication: Jazztimes.com
Author: Lisa DuBois
Date: February 10, 2011

The National Endowment for the Arts (NEA) is recognized as a powerful force in funding Art and is dedicated to artistic excellence in every way .The NEA paves the way for the projects that pass the test on creativity , originality and talent. In four decades they have awarded over 4 billion dollars to exceptional Art Projects in the United States. The NEA was established by Congress in 1965 as an independent agency of the federal government. In 1995 it was awarded Tony Honors for Excellence in Theatre.

The NEA is not limited to Art but also supports music, Musical theatre, Opera and dance. One of the most important accomplishments has been the Jazz Masters program held annually. Read more »

Submitted by Bobby on February 14th, 2011 — 09:04am

Ellis Marsalis is a father, a musician, and much more

Publication: Kansas City Star
Author: Joe Klopus
Date: February 9, 2011

You have to bloom where you’re planted.

For Ellis Marsalis, pianist and patriarch of a musical dynasty, that meant blooming as a creative modern-jazz pianist in the traditional-jazz soil of New Orleans, where for a long time there wasn’t much demand for what he was putting down.

The conditions weren’t favorable, but Marsalis, who brings his quartet to the Folly Theater on Friday, still managed to become something of a local legend in the Crescent City, even before his kids became famous and the whole jazz world started paying attention. He bloomed as a teacher and mentor, and not just to his own family. Read more »

Submitted by Bobby on February 10th, 2011 — 02:58pm