Branford Marsalis: Four MFs Playing Tunes

Publication: JazzWrap
Author: Stephan Moore
Date: August 29, 2012

Branford Marsalis can always be counted on for great album titles in addition to the superb quality of the music (e.g. I Heard You Twice The First Time). With his latest, Four MFs Playing Tunes, I think he might not be able to top himself this time. Yes it is a very striking title, but the music and development of the quartet is sensational.

The core of the group has remained the same for years. The difference now is the refreshing presence of Justin Faulkner. Replacing longtime bandmate, Jeff “Tain” Watts, Faulkner provides an extra boost of energy that the group just absorbs into what was already a very creative and electric force.
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Submitted by Bobby on August 30th, 2012 — 10:53am

Branford Marsalis to play Grace Cathedral

Publication: San Francisco Chronicle
Author: Jesse Hamlin
Date: August 26, 2012

Branford Marsalis decided to quit his coveted job as the musical director of “The Tonight Show” with Jay Leno in 1994 after playing Jacques Ibert’s concerto for alto saxophone with the San Francisco Symphony under the baton of another far-ranging jazz musician, Bobby McFerrin. The performance pleased the audience and critics, but not the artist.

“It was dreadful, man. I hated the way I played,” says Marsalis, a forthright and funny man who’s unsparing in his praise for things he admires and blunt about those he doesn’t. “My tone was not good and my technique was shabby. I had to choose - I was either going to be a musician or stay in show business. After that concert, I decided I wanted to be a musician.” Read more »

Submitted by Bobby on August 27th, 2012 — 10:09am

CD Reviews: Jazz

Publication: Toronto Sun
Author: Darryl Sterdan
Date: August 20, 2012

Branford Marsalis Quartet
Four MFs Playin’ Tunes
Jazz
4 stars out of 5

They aren’t just any four MFs. Along with Marsalis on tenor and soprano saxes, you’ve got longtime pianist Joey Calderazzo and bassist Eric Revis, plus wunderkind drummer Justin Faulkner. And they’re not just any tunes: This is a strong collection of new post-bop, peppered with standards, New Orleans fare and a Monk classic — all handled masterfully yet approachably. Find it.

Download: The Mighty Sword; Teo

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Submitted by Bobby on August 21st, 2012 — 08:56am

Review: 'Four MFs' have strong melodies

Publication: The Herald-Sun (Durham)
Author: Cliff Bellamy
Date: August 10, 2012

Branford Marsalis Quartet. “Four MFs Playin’ Tunes” (Marsalis Music)

In film director Charles Cardello’s wonderful documentary about the new recording by the Branford Marsalis Quartet, Marsalis and other members of the quartet discuss how records used to be made. Marsalis talks about Frank Sinatra singing some 20 tunes in a marathon session with orchestra. “When you listen to those Miles Davis records like ‘Nefertiti’ and ‘Miles Smiles,’ ” Marsalis continues, “they just brought those tunes in and played them. They never even played them on the road and it’s killing. I want to be like them.”

“Killing” applies to the music on “Four MFs Playing Tunes,” released this week. The record is the third the quartet has recorded at St. Joseph’s Church at Hayti Heritage Center, along with Marsalis’ duo record with pianist Joey Calderazzo, “Songs of Mirth and Melancholy.” On this record, the quartet is made up of veterans Marsalis on saxophones, Calderazzo on piano, and Eric Revis on bass, with relative newcomer Justin Faulkner on drums. Read more »

Submitted by Bobby on August 15th, 2012 — 09:17am

Branford Marsalis Quartet: Four MFs Playin' Tunes

Publication: Roots Music Report
Author: Duane Verh
Date: August 13, 2012

If this disc’s title suggests a casual session, be assured the sax wielding sibling of the storied Marsalis clan and his partners provide plenty of top-flight creativity also. The breezy, intelligent swing of the leadoff track, “The Mighty Sword”, makes this dual point, and additionally serves up the first of pianist Joey Calderazzo’s several scene-stealing choruses. The spirit of play and invention continues in the quirky blues that follows, “Brews”, courtesy of the leader’s animated soprano. Marsalis’ straight-ahead tenor lights the fire that brings the rhythm section to a boil on “Whiplash”. Back on soprano, he and Calderazzo make a dusky, delicate dance of the ballad “As Summer Into Autumn Slips”. Read more »

Submitted by Bobby on August 14th, 2012 — 10:20am