Publication: All Things Considered
Author: Kevin Whitehead
Date: August 22, 2011
Saxophonist Branford Marsalis and pianist Joey Calderazzo’s Songs of Mirth and Melancholy is longer on the latter, taking cues from the brooding romantic music of 19th century Europe. They play one Brahms song straight, with soprano sax taking the vocal line. And Marsalis says he borrowed isolated chords or ideas from Wagner, Prokofiev and Schumann for his tune “The Bard Lachrymose.” It sounds like it wants to be a 19th century art song. Read more »